Mon Oncle poster

Movie Info

Release Date: May 10, 1958
Runtime: 118 minutes
Alternative titles: View all (9)
Genres:
Comedy
Budget: $0
Revenue: $0
Original Language: French
Status: Released
Spoken Languages:
Critic Scores
Ratings from trusted sources
🍅
94%
Tomatometer
84
84/100
Metacritic
🎬
7.4/10
TMDB
608 votes
7.6/10
IMDb
26,008 votes
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Mon Oncle

1958

"Where modern life meets playful absurdity."

Also known as: 🇬🇧 EN: My Uncle? 🇩🇪 DE: Tati - Mon oncle? 🇵🇹 PT: Meu Tio? 🇰🇷 KO: 나의 삼촌? 🇷🇴 RO: Unchiul meu All international titles (9) →
Comedy 118 min 7.6/10

Synopsis

🧒

Parental Guide — Suitable for 13+

13+

Content guidance for parents

Category Level Indicator
Violence 1/5
Sexual Content 1/5
Language 1/5
Drugs / Alcohol 0/5
Frightening Elements 1/5
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Connections with other movies

This movie has thematic and stylistic connections with the following productions:

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Box Office

Budget: $0
Revenue: $0
Profit -$0

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Cast of Mon Oncle

Jean-Pierre Zola as Monsieur Arpel in Mon Oncle
Jean-Pierre Zola
Monsieur Arpel
Adrienne Servantie as Madame Arpel in Mon Oncle
Adrienne Servantie
Madame Arpel

See the complete cast and other films with these actors.

Keywords

#parent child relationship 130 #paris, france 85 #suburb 12 #housekeeper 11 #sarcastic 11 #factory worker 7 #brother-in-law 6 #modernity 2 #city portrait 2 #new building 1

Production Companies

Trivia & Fun Facts about Mon Oncle

7
  • Jacques Tati was heavily involved in the design of the sets for Mon Oncle, ensuring that they reflected his vision of the clash between modernity and tradition.

    Behind the Scenes ai
  • In one scene, Hulot's interactions with the modern house and its gadgets serve as a satire of the over-reliance on technology, a recurring theme in Tati's work.

    Easter Egg ai
  • The film features a unique sound design, which includes the absence of dialogue in many scenes, relying instead on visual humor and sound effects to convey emotion and comedy.

    Behind the Scenes ai
  • Tati's nephew in the film was played by Jean-Pierre Zola, who was not a professional actor but rather a child discovered by Tati during casting.

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  • There is a noticeable continuity error when Hulot's nephew is seen wearing different clothing between shots during the same sequence at the modern house.

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  • Mon Oncle can be seen as a precursor to Tati's later films, particularly Playtime, which also critiques modern urban life and architecture.

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  • The use of vibrant colors and whimsical designs in the film's set pieces was part of Tati's effort to create a visually engaging world that contrasted sharply with the dullness of suburban life.

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